5 October 2026
Large Format Printing News & Tips
Roland DG, Mimaki and Canon all brought new hardware to The Print Show 2026 at the NEC in Birmingham — plus a practical look at getting your artwork file right before it hits the RIP.
In the news this week
Roland DG debuts five new printers at The Print Show 2026
The Print Show ran 29 September–1 October at the NEC in Birmingham, and Roland DG used it to launch five machines: the TrueVis VG4-640 eco-solvent printer with integrated contour cutting, the TrueVis MG2-300 UV printer for labels and signage, the TrueVis AG-640 latex printer (also with built-in cutting) for wallcoverings and vehicle graphics, and two direct-to-object machines — the VersaObject IO-300 for flat and irregular items and the VersaObject RC-300 for cylindrical and tapered objects.
Mimaki adds new UV flatbed and DTF capacity
Also debuting at the show: Mimaki’s JFX220-2515, a four-head large-format UV flatbed with a 2,500 x 1,500mm bed and speeds up to 42m²/hr, alongside two smaller direct-to-object flatbeds (the UJF200-3042 and UJF200-6042) for objects up to 250mm and 20kg, plus a new DTF printer, the TxF330-800.
Canon’s Colorado range featured on CMYUK’s stand
Canon’s Colorado M5W and Colorado XL roll-to-roll UVgel printers were shown prominently at CMYUK’s stand alongside EFI and Neolt finishing equipment, as part of a full production workflow demonstration — useful if you’re weighing up where a UVgel system fits around existing imagePROGRAF or TM-series kit.
Tips: getting your artwork file right before it hits the RIP
We see a lot of jobs come back for a reprint not because the printer or media did anything wrong, but because the file wasn’t set up for large format in the first place. A few checks before you send anything to the RIP will save you time and media:
- Resolution matches viewing distance, not habit. A poster viewed from across a shop floor doesn’t need 300dpi — that’s a desktop print habit that just slows your RIP down and bloats file sizes. As a rough guide, 150dpi is plenty for anything viewed from 2m or more, rising to 300dpi only for close-up work like photographic prints or point-of-sale viewed at arm’s length.
- Export in CMYK, not RGB. Files designed on screen are usually RGB by default. Left unconverted, your RIP or printer driver has to guess at the conversion, and colours — especially blues and greens — can shift unpredictably. Convert to CMYK (or your printer’s native colour space if you’re running ICC profiles) before you export.
- Bleed and safe margins aren’t optional at large format. Build in at least 5mm of bleed on anything that will be cut or mounted, and keep text and logos well clear of the trim edge — large format cutting tolerances are naturally looser than a desktop guillotine.
- Favour PDF or TIFF over JPEG. JPEG’s compression is fine for the web but can introduce visible artefacts once a file is blown up to a few square metres. A flattened, high-quality PDF (or TIFF for photographic work) keeps fine detail and text edges crisp.
From Design Supply
If any of this week’s news has you thinking about where a new printer might fit in your workflow, or you’d just like a second opinion on file setup, ink or media for an upcoming job, we’re always happy to talk it through — no hard sell, just straight advice.
We’re now in our 36th year supplying large format printer solutions and have sold over 7,000 printers to architects, photographers, sign makers and print businesses across the UK — more about us here.
Get in touch for consumables, service or advice — we’re here to help.